I’ve always loved singing, but I was a teenager when I got really hooked on voice. At the time, I was studying piano at the Buenos Aires Conservatory in Argentina, where I was born. I’d joined the Conservatory choir, and that’s when I realized that something wasn’t quite right with my voice. I eventually learned I had a small nodule forming on my vocal cords, and had to undergo speech therapy. When the speech therapist asked me to sing during our sessions, a whole world opened up to me. I discovered a completely different voice—one that could blossom, and which was good for me!
A few years later, I took a voice and movement workshops with Marga Grajer. The sessions were a real turning point: I rediscovered the pleasure of singing and of sound, with an ease and naturalness that I’d never felt with traditional singing methods. I was lucky enough to continue studying with Marga for a few years. I went on to train in vocal technique with Leticia Caramelli (ETEVOZ) ; I also took lessons and workshops with Aline Meyer (Aye – La escuela de la voz), Silvia Nakkach (Vox Mundi Project), and Kozana Lucca (Roy Hart Theater), among others.
One day, a teacher friend asked me for some advice on how to improve her vocal performance. That moment led me to discover my passion: helping people become empowered by and with their voice, to use it, and to be happy with them. In 1995, I began teaching singing in my private studio in Buenos Aires. My sound engineer husband and I also ran his recording studio, which allowed me to work alongside musicians of all styles and to get a broad understanding of the production process, to appreciate the nuances of the finished product, and to be exposed to a range of musical styles. I started doing voice coaching in the studio and dubbing films and documentaries. I could offer my singing students a full range of services: individual lessons, group workshops with musicians, dancers and actors, demo and show productions…
I moved to Montreal in 2005 and since then I’ve taught singing and directed choirs at the Centre de loisirs de la Côte-des-Neiges (CELO), the École de tango Tangueria , LEGADOS Espagnol Montréal , and the Collège de Rosemont . Thanks to the musical moments spent with my daughter as she was growing up, I found myself making music with toddlers, and so I set up early-childhood music appreciation workshops. I love sharing my passion for music with little ones and their parents: we listen, we move, we play little instruments, we dance… It’s so much fun. I offer early-childhood music appreciation workshops at my studio and in daycares, and have also run them at Patro Le Prévost , for the Jeunes musiciens du monde , and at the Espace famille Villeray .
My group Canto Tango was founded in 2008, and we’ve performed two main shows in the professional music world, “Chansons de l’Argentine” (tango and Argentine folklore), and “Del Sur” (South American music).
These days, I teach singing individually online and in my studio in Longueuil, on the south shore of Montreal, and in Montreal in one-off workshops throughout the year. I’m also at the helm of the cultural singing and vocal technique workshops at the Cégep du Vieux Montréal .
Ongoing training is essential for me: learning is a life-long process! Among other topics, I’ve studied the two levels of Estill Voice Training, and the evidence-based Physiological Voice Rehabilitation and Objective Voice Assessment courses with Dr Marco Guzmán, PhD in vocology.
I’ve always loved singing, but I was a teenager when I got really hooked on voice. At the time, I was studying piano at the Buenos Aires Conservatory in Argentina, where I was born. I’d joined the Conservatory choir, and that’s when I realized that something wasn’t quite right with my voice. I eventually learned I had a small nodule forming on my vocal cords, and had to undergo speech therapy. When the speech therapist asked me to sing during our sessions, a whole world opened up to me. I discovered a completely different voice—one that could blossom, and which was good for me!
A few years later, I took a voice and movement workshops with Marga Grajer. The sessions were a real turning point: I rediscovered the pleasure of singing and of sound, with an ease and naturalness that I’d never felt with traditional singing methods. I was lucky enough to continue studying with Marga for a few years. I went on to train in vocal technique with Leticia Caramelli (ETEVOZ) https://www.etevoz.com; I also took lessons and workshops with Aline Meyer (Aye – La escuela de la voz), Silvia Nakkach (Vox Mundi Project), and Kozana Lucca (Roy Hart Theater), among others.
One day, a teacher friend asked me for some advice on how to improve her vocal performance. That moment led me to discover my passion: helping people become empowered by and with their voice, to use it, and to be happy with them. In 1995, I began teaching singing in my private studio in Buenos Aires. My sound engineer husband and I also ran his recording studio, which allowed me to work alongside musicians of all styles and to get a broad understanding of the production process, to appreciate the nuances of the finished product, and to be exposed to a range of musical styles. I started doing voice coaching in the studio and dubbing films and documentaries. I could offer my singing students a full range of services: individual lessons, group workshops with musicians, dancers and actors, demo and show productions…
I moved to Montreal in 2005 and since then I’ve taught singing and directed choirs at the Centre de loisirs de la Côte-des-Neiges (CELO), the École de tango Tangueria , Espagnol Montréal , and the Collège de Rosemont link a . Thanks to the musical moments spent with my daughter as she was growing up, I found myself making music with toddlers, and so I set up early-childhood music appreciation workshops. I love sharing my passion for music with little ones and their parents: we listen, we move, we play little instruments, we dance… It’s so much fun. I offer early-childhood music appreciation workshops at my studio and in daycares, and have also run them at Patro Le Prévost , for the Jeunes musiciens du monde , and at the Espace famille Villeray .
My group Canto Tango A was founded in 2008, and we’ve performed two main shows in the professional music world, “Chansons de l’Argentine” (tango and Argentine folklore), and “Del Sur” (South American music).
These days, I teach singing individually online and in my studio in Longueuil, on the south shore of Montreal, and in Montreal in one-off workshops throughout the year. I’m also at the helm of the cultural singing and vocal technique workshops at the Cégep du Vieux Montréal .
Ongoing training is essential for me: learning is a life-long process! Among other topics, I’ve studied the two levels of Estill Voice Training, and the evidence-based Physiological Voice Rehabilitation and Objective Voice Assessment courses with Dr Marco Guzmán, PhD in vocology.
I’ve always loved singing, but I was a teenager when I got really hooked on voice. At the time, I was studying piano at the Buenos Aires Conservatory in Argentina, where I was born. I’d joined the Conservatory choir, and that’s when I realized that something wasn’t quite right with my voice. I eventually learned I had a small nodule forming on my vocal cords, and had to undergo speech therapy. When the speech therapist asked me to sing during our sessions, a whole world opened up to me. I discovered a completely different voice—one that could blossom, and which was good for me!
A few years later, I took a voice and movement workshops with Marga Grajer. The sessions were a real turning point: I rediscovered the pleasure of singing and of sound, with an ease and naturalness that I’d never felt with traditional singing methods. I was lucky enough to continue studying with Marga for a few years. I went on to train in vocal technique with Leticia Caramelli (ETEVOZ) https://www.etevoz.com; I also took lessons and workshops with Aline Meyer (Aye – La escuela de la voz), Silvia Nakkach (Vox Mundi Project), and Kozana Lucca (Roy Hart Theater), among others.
One day, a teacher friend asked me for some advice on how to improve her vocal performance. That moment led me to discover my passion: helping people become empowered by and with their voice, to use it, and to be happy with them. In 1995, I began teaching singing in my private studio in Buenos Aires. My sound engineer husband and I also ran his recording studio, which allowed me to work alongside musicians of all styles and to get a broad understanding of the production process, to appreciate the nuances of the finished product, and to be exposed to a range of musical styles. I started doing voice coaching in the studio and dubbing films and documentaries. I could offer my singing students a full range of services: individual lessons, group workshops with musicians, dancers and actors, demo and show productions…
I moved to Montreal in 2005 and since then I’ve taught singing and directed choirs at the Centre de loisirs de la Côte-des-Neiges (CELO), the École de tango Tangueria , Espagnol Montréal , and the Collège de Rosemont link a . Thanks to the musical moments spent with my daughter as she was growing up, I found myself making music with toddlers, and so I set up early-childhood music appreciation workshops. I love sharing my passion for music with little ones and their parents: we listen, we move, we play little instruments, we dance… It’s so much fun. I offer early-childhood music appreciation workshops at my studio and in daycares, and have also run them at Patro Le Prévost , for the Jeunes musiciens du monde , and at the Espace famille Villeray .
My group Canto Tango A was founded in 2008, and we’ve performed two main shows in the professional music world, “Chansons de l’Argentine” (tango and Argentine folklore), and “Del Sur” (South American music).
These days, I teach singing individually online and in my studio in Longueuil, on the south shore of Montreal, and in Montreal in one-off workshops throughout the year. I’m also at the helm of the cultural singing and vocal technique workshops at the Cégep du Vieux Montréal .
Ongoing training is essential for me: learning is a life-long process! Among other topics, I’ve studied the two levels of Estill Voice Training, and the evidence-based Physiological Voice Rehabilitation and Objective Voice Assessment courses with Dr Marco Guzmán, PhD in vocology.